← RETURN TO CORE// CASE STUDY: 002
// THE PALENQUE PROTOCOL

THE PALENQUE PROTOCOL

From Transcript to Architecture

"We do not guess. We audit. Below is the forensic mapping of how Ethnographic Data (The Transcript) was processed into Digital Media (The Video)."

INPUT: EXPLAINER TRANSCRIPTOUTPUT: DOPAMINE MUSICK VIDEO
// FORENSIC DATA MAPPING

THE DATA LAYERS

THE COGNITIVE LAYERCollection 1
SOURCE DATA (TRANSCRIPT)

Tia: 'The business is good, but it doesn't hug you at night.'

FRAMEWORK ANALYSIS

UVAF Archetype: The Cautious Planner / The Keeper

THE EXECUTION

This character was cast to represent the Stability of the system (The Database). She represents the User Need for security vs. profit. This grounds the project in reality.

THE SOMATIC LAYERCollection 2
SOURCE DATA (TRANSCRIPT)

Daughter: 'Today I empty those baskets... I'm going to go sell.'

FRAMEWORK ANALYSIS

Emotional-Somatic Bridge: High-Velocity / Ambition

THE EXECUTION

This character represents the Transaction Speed (The Alert System). Her energy shifts the video from "Cinema" to "Music Video," triggering the Dopamine Loop for the viewer.

THE ETHNOGRAPHIC LAYERCollection 4
SOURCE DATA (TRANSCRIPT)

Visuals: Bus, Murals, Fruit Stand (Timestamp 00:53)

FRAMEWORK ANALYSIS

Ethnographic Context: The Source Code

THE EXECUTION

We did not build a set. We inserted the camera into the existing Power Architecture of Palenque. The bus and the market are the "Interface Layer" of the town. We simply digitized it.

// PROCESSED OUTPUT

DOPAMINE MUSICK

You have read the code above. Now watch the execution.

RECTYPE: SOURCE DATA
SOURCE DATA: THE EXPLAINER TRANSCRIPT
OPEN IN YOUTUBE →
// THE TRANSLATOR

I AM THE
TRANSLATOR

You saw the transcript. You saw the frameworks. You saw the result.

I translate cultural noise into digital signal. If I can do this with a music video, I can do it with your entire tech ecosystem.